Blog of the Week: Ask Harriete

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This week’s Winner is Harriete Estel Berman for her very informative blog, Ask Harriet. You may not know that Harriete is one of the minds behind the excellent Professional Guidelines at the SNAG website (Society of North American Goldsmiths).

When I discovered Ask Harriete, I was immediately drawn in and read a year’s worth of posts in one sitting.

No one else out there is doing what Harriete is doing, sharing her years of experience in the contemporary crafts world and taking reader’s questions.

And the information! Wow! Reading Ask Harriete is like having an experienced mentor by your side, keeping you from making dumb mistakes, and guiding you along in your crafts business.

A definite add to your Google Reader, or bookmark for your regular rounds of blog reading.

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What I learned from quilting

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What have I been up to? Using Kirsten Skiles’ guideline for her own blog, that as long as it’s to do with creativity, it’s okay, I’m going to tell you about my non-jewelry making project.

As part of my volunteer work with kids, I’ve been working on a quilting-for-charity project where kids are making quilts for kids in a residential group home. And these are real quilts, pieced together, machine quilted and binding. The kids are learning a real craft skill, and are being taught the right way to do things.

I can sew a straight line, and even make simple clothing and doll clothes, but I’ve never seen sewing as a source of personal expression. But I have been sewing since I was a kid and know enough to help guide this project, especially with all the other volunteers helping out who are serious quilters.

Here’s what surprised me: making stuff expressly to give away is really cool. It feels really good to spend all this time choosing the fabric, piecing it together, and all to give away to a child we’ll never meet. (Like many of the adults helping with this project, I’m jumping on the band wagon and making a quilt in addition to all the ones the kids are making.)

That surprised me. I’ve been “making things” for practically my whole life, and making jewelry for 18 years, but I haven’t given away much. That whole precious-ness thing of jewelry doesn’t lend itself to donations quite the way fabric does.

I have donated to charity auctions in the past, more as a favor to the friends running the events than anything else.

This experience is changing the way I think about donating my jewelry work. It’s making me very excited about making charms for the Charms for Charity project of the metal clay community for cancer research.

(The quilt picture above was made by three adult volunteers involved in the project, but not me! I’m not done with mine yet!)

Here’s another thing about the sewing…

I’ve always limited myself to metalsmithing and Precious Metal Clay (and now BronzClay…) because, well, to get really good at metalsmithing takes years and focus. I have added a few other things along the way — felting, marbling and silkscreening with the Print Gocco — but my primary focus remained on jewelry.

For assorted reasons, I have not gotten a lot of jewelry made lately. I have been remarkably unproductive. I have lots of excuses, but I finally asked myself, “What would Luann Udell say about those excuses?” and I think I figured out part of the source of my slump.

And I’ve been feeling like I’ve been wasting my time, creatively, “doing nothing,” as I’ve gone through the last few months, not making jewelry.

Slowly, I’ve begun to notice — oh, the quilting. I’m learning more about fabric and design. As I cut what felt like hundreds of strips of fabric (the rotary cutter isn’t something we want the kids to use), I’ve felt the differences in quality of fabric. I’ve seen the cheaper ones fray. I’ve felt the weight of the top quality fabrics donated by quilting fabric manufacturers.

I’ve been reminded what it is to be a beginner, among beginners, learning a new craft. (Even though I’ve done quilting before, I’m going in a bit more deeply this time.)

In addition to the quilting, I have another volunteer gig (no wonder I never get anything done!) teaching art to kids. I waited and waited for someone better at painting and drawing to show up, but they didn’t, and I got the job.

In that class, we draw from observation, we paint with watercolors, we make artist trading cards, heck, we even make frescos. My background is most decidedly not in painting and drawing.

I used to always say, “I can’t draw,” but my husband insisted, “Everyone can draw, you just haven’t practiced enough.” I’ve come to see that he’s right.

And as I’ve given this group of kids opportunities to practice, different things to draw from life, they’ve gotten better. They believe that everyone can draw, so they just do it. Despite my iffy skills, they’ve put in the time and gotten better. (and I have too.)

All the teaching of the art class has really made me stretch, artistically. I’ve had to learn things I’ve never done before, things that were out of the realm of what I’ve allowed myself to do before.

And you know what? It’s really fun. There’s no pressure, because it’s just a demo, or I’m just painting along with the kids to keep them company. And watercolor pencils are awesome, you should try them.

I think I haven’t been wasting my time after all. I think I’ve been getting refreshed. Now I’m ready to make jewelry again. I’m digging out a path on my studio floor, so I can uh, you know, get to my bench without stepping over things.

I’m excited again about the challenges specific to jewelry making, and I’m back on board with the Masters Registry, back to making those first ten pieces.

That’s a bit long and not what we usually talk about here, but it goes with the Art and Fear theme we’ve had, and well, I hope it helps someone.

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Jump start your creativity

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Guest post from Ann Davis

You have a journal…right…every artist must have a journal. I have a dozen or so…some I write and sketch in and some I just draw in.

Ok, once you have your very own special journal and your special favorite pencil/colored ink pen..in your hand…sometimes writing in green ink for the day just helps you think…another day it might be purple!!I have a whole pack of colored pens!

Beyond fear most artists need focus! So I thought I would share the way I get it…maybe it will help somebody focus/think…THINKING is good!! I never do enough of it!

So to start…..

Make a list of 10 things you are fascinated with right now…it could be ancient alphabets, flowers, pebbles, birds..Art Deco…frogs..the sea….what ever, things you just love.

Leave some room between the listings, there is more to write.

Now under the listings tell yourself why you are fascinated by each thing, what it’s ’special magic’ is for you…. I kind of think of it as a magical thought…a magical seed of an idea as it were…for instance, if you say you like birds…then what aspect are you drawn to…feathers, if so…local birds or tropical feathers??….little feet??…they way they swoop in flight?

WRITE IT DOWN and sketch if something pops up, don’t ever deny that quick click of an idea.

If it’s ancient alphabets…then make a list of the ones you like,
Latin, Greek, what ever…you are going to gather these things UP!!

When you have your 10 things done and fleshed out, you need to take your list and get out of the house/studio/bedroom…

Sometimes just being in the ’same’ environment triggers the same old thoughts…go to a library and look up books on each subject you listed and try to find the kinds of things you listed as your magical seeds. Xerox those pages or check out the books.

Now you have your seed ideas, you need some ammunition. Go to your favorite junk store/craft store/hobby store/nursery where you are going to look for anything that reminds you of those magical aspects…doesn’t have to be the same exact thing…like if you listed feathers…you could by feathers at a craft store but…. they may have some fabric with feather printed on it that just fits the bill..or…some angel wings..could just be the shape of the feather…pick up little bits and pieces of stuff that catches your eye and stays on your theme.

Take it all home. Lay it out in front of you.

Now….Start a new page for each magical seed….so… if you bought feathers or seashells…put them on the page and draw around their shapes or sketch them if you draw well…if you sculpt with polymer, start copying…yes copying exactly what you have in your hand..often the making of an object gives way to something else in your mind..your hands and the way it feels are part of the magical seed information going into your brain;))…keep writing on that page, the little bits and pieces of the exact aspect that you like about the thing…how it comes together or how it’s shaped…the color..the texture…

REALLY give it your attention…Now you will know these things inside and out and once you know your subject…..you really own it!

Next is the fun part…start mixing the pieces…put the feather in the shell or if you picked up a silly plastic frog..put him on the feather or or put the frog on the shell with the feather sticking up….Start imagining these things as metal clay. Start LAUGHING!! You should get some really weird ideas…draw them out no matter how funny they seem…these are the seeds of your imagination playing with each other….it’s a form of cross fertilization…very good stuff.

If you have really thrown yourself into this exercise you should start having all kinds of silly ideas, a frog covered in ancient alphabets…or a frog with wings…a shell with wings or imprints of the feather all over it. Go with one of your visions…make it a reality…put it into metal clay!!…even if the first thing you make is not perfect, guess what…you are working!!! Keep going!! More than likely you will discover that you need to perfect some other technique to get your ‘vision’ perfect…throw yourself into it, then when you have mastered it come back to you magical seeds and realize that dream!!

Well anyway….for what it’s worth, in a nutshell, that’s the way I jumpstart my work. Now I tend to either take pix or make copies of stuff and glue them into my journal, plus I have acquired so much junk that I could open my own craft store;))hahaha we won’t even go into the time I was fascinated by all the variations of raffia out there or my collection of sand from all over the world, or how that looks under a microscope.

Visit Ann Davis on the web:

http://www.anndavisstudio.com

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Art and Fear

It seems that a lot of people are feeling stuck right about now, it’s a topic that keeps coming up on blogs and forums. Here are some links to blog posts that were shared on Metal Clay Gallery.

From Catherine Davies Paetz:

Trusting the Process

From Lateral Action:

Creative Block #5 – Being Disorganized

And here, reprinted from a previous post of mine, is my review of the book, Art and Fear:

Art and Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland

I love this book, but I haven’t quite finished it, because everytime I read it, I get so motiviated, I put it down and go make something.

It’s a slim volume, only 118 pages, and inexpensive. A great book, even if you think you don’t have issues or fears. Who couldn’t use a little more inspiration and motiviation? And no exercises to do, just read, think, and go make art.

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This Week’s Good Stuff from all over the web

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Here’s a round up of various good reading to get you thinking, designing, or re-organizing:

Luann Udell’s article in The Crafts Report, Best Booth Awards I Could Win.

Plan your summer classes at Bead & Button.

If you’re feeling winter-ish and blocked, try iHanna’s 100 Ideas to Spark you into Creative Action.

From Men with Pens, Why You Should Travel Back in Time, specifically for you bloggers out there.

And, I’ve been remiss in not mentioning the new Master Muse series over at Tonya Davidson’s blog, though I have tweated it.

Be sure to read them all. Start with the first one, from Anne Mitchell.

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Pam East goes to Campbell Folk School

…and has some lovely boxes to show for it, check out the collaboration between Pam and woodturner Frank Penta here:

http://blog.folkschool.org

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PC Daily reports on Synergy 2

Cynthia at Polymer Clay Daily has a post up with her take away points from Synergy — very interesting observations about the state of polymer.

http://polymerclaydaily.com

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What kind of mix-ins can I use in epoxy resin?

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You can use anything, spices, eyeshadow, paints… the challenge is that with some of those things may not be stable long term. Dr. Martins watercolors have been recommended to me.

I’ve used tumeric and it changes color! From yellow to red when you mix it with epoxy!

And I suspect pigments would work well, you can buy them here:

http://naturalpigments.com
http://www.earthpigments.com

What do you use?

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